Val Kilmer in Kill Me Again

Kill Me Again (1989) review – Michael Madsen shines in this neo-noir thriller, which suffers from a lackluster final act

The noir genre, which peaked in popularity from 1941 to 1959, evolved and adapted to the…

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Still from The Silent Partner movie

The Silent Partner (1978) review – A tightly scripted, swiftly paced crime thriller that never takes a wrong step

The Silent Partner, directed by Daryl Duke, is the kind of hidden gem that comes out…

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Still from the royal hotel

The Royal Hotel (2023) review – A tense, slow-burn psychological thriller set in the Australian outback

Kitty Green’s directorial debut feature film, The Assistant (2019), was an impressive claustrophobic psychological drama that…

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Still from Ballerina movie 2023

Ballerina (2023) review – A slick South Korean action thriller with a simple plot, a solid emotional core, and decent action sequences

Ballerina, written and produced by Lee Chung-Hyun, is a slick South Korean revenge action thriller that…

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Still from The Equalizer 3

The Equalizer 3 (2023) review – A well-executed action thriller hampered by its formulaic structure and a weak third act

The Equalizer 3, the final film in the trilogy based on the 1980s TV series of…

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Still from dead calm

Dead Calm (1989) review – Despite a few anxiety-inducing moments, the film falls short of the promise shown at the beginning

Dead Calm, an Australian psychological thriller directed by Phillip Noyce, contains a few anxiety-inducing moments but…

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Still from freeway movie

Freeway (1996) review – Reese Witherspoon delivers a career-defining performance in the 90s version of “Little Red Riding Hood.”

Freeway is Matthew Bright’s version of the 17th-century European fairy tale “Little Red Riding Hood.” Vanessa…

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Still from To Catch a Killer movie

To Catch a Killer (2023) review – A film that works solely within the confines of the police procedural but fails when it attempts to branch out

To Catch a Killer, directed by Argentinean filmmaker Damian Szifron (who also helmed the outstanding Wild…

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Still from A Lizard in a woman's skin

A Lizard in a Woman’s Skin (1971) review – Not the best of Fulci’s Giallo films, but contains some of the most visceral visuals of his career

While Lucio Fulci is able to unleash some of the most graphic, sensual, and visceral imagery…

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Still from Psycho 2

Psycho 2 (1983) review – A film that benefits significantly from its slasher approach

Despite my reservations about watching Psycho 2, a sequel to Alfred Hitchcock’s technical and visual masterpiece,…

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