Still from The Third Man movie

The Third Man (1949) review – A cinematic masterpiece that perfectly epitomizes the noir genre

Carol Reed’s cinematic masterpiece, The Third Man, embodies the noir genre in its purest form, showcasing…

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Still from Drunken Angel

Drunken Angel (1948) review – Akira Kurosawa’s first major cinematic achievement

After working for studios and making conventional and by-the-book films, Akira Kurosawa finally gets to do…

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Still from The Reckless Moment

The Reckless Moment (1949) review – With a tight script, nuanced characters, and incredible performances, Max Ophuls crafts an engrossing and contemplative film

Directed by Max Ophuls in his last feature in the United States, The Reckless Moment is…

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Still from In a Lonely Place movie

In a Lonely Place (1950) review – Humphrey Bogart delivers a career-best performance in one of the greatest noir films ever made

In a Lonely Place, directed by Nicolas Ray and adapted from Dorothy Hughes’ 1947 novel of…

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Still from ace in the hole movie

Ace in the Hole (1951) review – Billy Wilder masterfully explores the darkest facets of human nature

Although Billy Wilder had previously delved into the shadowy side of human nature in masterpieces like…

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Still from Sweet Smell of Success

Sweet Smell of Success (1957) review – The epitome of cinematic excellence

Sweet Smell of Success is a shining example of cinematic brilliance, with filmmaking of the highest…

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Still from The Breaking Point 1950 movie

The Breaking Point (1950) review – John Garfield is brilliant in this poignant story of how hardships can corrupt a good man

Harry Morgan (John Garfield), a World War II veteran, is a fishing boat captain who primarily…

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