Director Aldo Lado combines Ingmar Bergman’s The Virgin Spring (1960) and Wes Craven’s The Last House…
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A Lizard in a Woman’s Skin (1971) review – Not the best of Fulci’s Giallo films, but contains some of the most visceral visuals of his career
While Lucio Fulci is able to unleash some of the most graphic, sensual, and visceral imagery…
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