Napoleon, directed by Ridley Scott, fits wonderfully as a double bill with his directorial debut, The…
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Reviews of films from various genres
Kill Me Again (1989) review – Michael Madsen shines in this neo-noir thriller, which suffers from a lackluster final act
The noir genre, which peaked in popularity from 1941 to 1959, evolved and adapted to the…
Continue ReadingThe Silent Partner (1978) review – A tightly scripted, swiftly paced crime thriller that never takes a wrong step
The Silent Partner, directed by Daryl Duke, is the kind of hidden gem that comes out…
Continue ReadingThe Killer (2023) review – David Fincher delivers his most meditative and personal film to date
On the surface, David Fincher’s The Killer may seem like just another generic serial killer film,…
Continue ReadingThe Royal Hotel (2023) review – A tense, slow-burn psychological thriller set in the Australian outback
Kitty Green’s directorial debut feature film, The Assistant (2019), was an impressive claustrophobic psychological drama that…
Continue ReadingLeo (2023) review – Lokesh Kanagaraj’s version of “A History of Violence” yields mixed results
Leo, directed by Lokesh Kanagaraj and heavily inspired by David Cronenberg’s A History of Violence (2005),…
Continue ReadingA Colt Is My Passport (1967) review – A visually stunning, ultra-cool masterpiece that ranks among the finest films in the Yakuza genre
As I sat down to watch this film and the opening credits started playing to an…
Continue ReadingBallerina (2023) review – A slick South Korean action thriller with a simple plot, a solid emotional core, and decent action sequences
Ballerina, written and produced by Lee Chung-Hyun, is a slick South Korean revenge action thriller that…
Continue ReadingOne False Move (1992) review – A film that starts off as a typical crime story but evolves into something far more poignant and heartfelt
One False Move, directed by Carl Franklin, starts off as a typical crime story but evolves…
Continue ReadingThe Guardian (1990) review – William Friedkin tries his best, but a thin storyline and uninteresting characters drag the film down
In “The Guardian,” although the director William Friedkin tries his best, a thin storyline and uninteresting…
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