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Still from The Third Man movie

The Third Man (1949) review – A cinematic masterpiece that perfectly epitomizes the noir genre

Carol Reed’s cinematic masterpiece, The Third Man, embodies the noir genre in its purest form, showcasing…

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Still from The Substance

The Substance (2024) review – Coralie Fargeat’s sophomore feature is wild, sexy, stylish, and an incredibly grotesque Sci-Fi body horror masterpiece

Following her remarkable directorial debut, Revenge (2017), Coralie Fargeat’s sophomore feature, The Substance, is a wild,…

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Woman of the Hour (2024) review – Anna Kendrick makes a solid directorial debut

Based on a true story, Anna Kendrick’s directorial debut, Woman of the Hour, is a slick…

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Still from Smile 2

Smile 2 (2024) review – A superior sequel

Parkin Finn takes his clever premise from Smile (2022) and elevates it to the next level…

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Still from Demon Seed

Demon Seed (1977) review – Despite some intriguing ideas, the film’s execution falls short

After reading the synopsis of Demon Seed, which describes the story of an AI that gets…

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Drunken Angel (1948) review – Akira Kurosawa’s first major cinematic achievement

After working for studios and making conventional and by-the-book films, Akira Kurosawa finally gets to do…

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Still from The Buckingham Murders

The Buckingham Murders (2023) review – Kareena Kapoor Khan delivers a strong lead performance in an ambitious but imperfect murder mystery

Despite Kareena Kapoor Khan’s solid central performance and some engaging procedural elements, Hansal Mehta’s The Buckingham…

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Still from Hana Bi

Hana-Bi (Fireworks) (1997) review – Takeshi Kitano’s most personal and accomplished work to date is a masterclass in visual storytelling

Silence speaks louder than words in Takeshi Kitano’s minimalist masterpiece Hana-bi (Fireworks), the crowning achievement of…

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Still from Rebel Ridge

Rebel Ridge (2024) ‘Netflix’ review – A cerebral small-town crime conspiracy thriller that solidifies Jeremy Saulnier as one of the most exciting talents working today

After making a name for himself with critically acclaimed features such as Blue Ruin (2013), Green…

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Still from The Greatest of All Time

The Greatest of All Time (2024) review – Thalapathy Vijay is superb, but the film fails to deliver on all other fronts

Venkat Prabhu, the director of The Greatest of All Time, spends 183 minutes crafting a highly…

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